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Darius Rucker

Disco de Darius Rucker: “Back to Then [Bonus Tracks]”

Disco de Darius Rucker: “Back to Then [Bonus Tracks]”
Información del disco :
Título: Back to Then [Bonus Tracks]
Fecha de Publicación:2002-07-29
Tipo:Desconocido
Género:R&B
Sello Discográfico:Sony
Letras Explícitas:Si
UPC:4547366006261
Lista de temas :
1 Wild One Video
2 Exodus Video
4 Back to Then Video
5 This is My World Video
6 I'm Glad You're Mine
7 Butterfly Video
8 Hold On Video
9 10 Years
10 One More Night Video
11 Amazing Grace
12 Somewhere Video
13 Sleeping in My Bed (featuring Snoop Dogg) Video
14 Sexy Lover (Bonus Track)
15 When' the Last Time (Bonus Track)
Análisis (en inglés) - :
The rocky road {$Hootie & the Blowfish} lead singer {$Darius Rucker} took to the release of his first solo album, {^Back to Then}, may have its origin in his band's declining fortunes after the spectacular success of its major-label debut, {^Cracked Rear View}, in the mid-'90s. Follow-ups {^Fairweather Johnson} and {^Musical Chairs} traced a downward sales pattern, and by 2001 {@Atlantic Records} may have been looking to {$Rucker} to reignite his career as a {\pop/rock} singer with his solo debut. But when executives heard an early version of it, they reacted by handing it back to him and letting him negotiate with other labels. Neo-{\soul} boutique label {@Hidden Beach}, whose signee {$Jill Scott} has a duet with {$Rucker} on the record, was a logical home instead, and, slightly retooled, {^Back to Then} comes across as an appropriate addition to the company's {\pop-soul} catalog. Working with various {\urban} musician/producers, {$Rucker} has constructed his own version of a neo-{\soul} album, touching upon elements of gritty {\soul} and {\gospel} but filtering them through his {\pop/rock} sensibility. The result may be as commercially dicey as {@Atlantic} feared: The album may be rejected by both the {\urban} audience at whom it is aimed and by the {\pop/rock} fans {$Rucker} found with {$Hootie}. As {\urban} goes, it may be considered too clean and well-articulated, while its light {\funk} and programming do not provide the surface pleasures of {\rock}. But {$Rucker} remains an expressive singer, and that is the key to the disc's appeal. Whether he is proclaiming his faith in God ({&"Somewhere"}) or pleading for romantic fulfillment ({&"One More Night"}), he displays a contemporary soulfulness that compels the listener. {^Back to Then} is not an ideal showcase for that voice, but it is a good one, and it may earn the singer a whole new audience. [The Japanese version included bonus tracks.] ~ William Ruhlmann, All Music Guide
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