Conciertos de Iris DeMent 2025

Hailed by NPR as “one of the great voices in contemporary popular music,” the Arkansas-born singer-songwriter draws deep from the well of her musical vocabulary, folding in hymns, gospel, and early country and folk. Inspired by Soviet-era Russian poet Anna Akhmatova, her newest album, The Trackless Woods, contains some of her most poignant work yet.
Presented in association with the Americana Music Association

The Trackless Woods, Iris DeMent’s sixth studio album, is unlike anything else in her illustrious career. Beginning with her 1992 debut, ‘Infamous Angel,’ which was hailed as “an essential album of the 1990’s” by Rolling Stone, DeMent released a series of stellar records that established her as “one of the finest singer-songwriters in America” according to The Guardian. The music earned her multiple Grammy nominations, as well as the respect of peers like John Prine, Steve Earle, and Emmylou Harris, who all invited her to collaborate. Merle Haggard dubbed her “the best singer I’ve ever heard” and asked her to join his touring band, and David Byrne and Natalie Merchant famously covered her “Let The Mystery Be” as a duet on MTV Unplugged. DeMent returned in 2012 with her most recent album, Sing the Delta, which prompted NPR to call her “one of the great voices in contemporary popular music” and The Boston Globe to hail the collection as “a work of rare, unvarnished grace and power.”


Although the Alabama-bred, Iowa-based Pieta Brown's quietly riveting tunes and gritty, charismatic performing style resist easy categorization, they've helped her to win a fiercely loyal international fan base that extends to many of her fellow artists.

"When Pieta sings you're aware of something effortless and natural, like rain on earth," Mark Knopfler observed, while Don Was called her "a great singer-songwriter who possesses major star-power magnetism," and Iris DeMent described her as "the best poet I've heard in a long damn time."

Paradise Outlaw showcases Brown's established strengths while staking out fresh new creative territory. "On my last album Mercury, I was recording near Nashville with top-call studio musicians who I hadn't worked with before, and was exploring the idea of craft and trying to hone in on more classic forms than I had previously," she explains, adding, "Paradise Outlaw came from a radically different place. I was thinking a lot about freedom, experimentation, poetry, folk songs, bending forms and voices. I also wrote and delivered half the songs on the banjo, which was completely new for me.”