Disco de Johnny Cash: “Johnny Cash Is Coming to Town/Boom Chicka Boom”

Descripción (en inglés) :

2 LPs on 1 CD: JOHNNY CASH IS COMING TO TOWN (1987)/BOOM CHICKA BOOM (1990). <p>Personnel includes: Johnny Cash (vocals, acoustic guitar); Marty Stuart (acoustic & electric guitars, mandolin); Jack Clement (acoustic guitar, dobro, jews harp, kazoo); Joey Miskulin (guitar, keyboards, acoustic bass); Jim Soldi (acoustic & electric guitars); Mike Elliott (acoustic guitar); Pete Wade, Bob Wootton (electric guitar); Lloyd Green (pedal steel guitar); Stuart Duncan, Mark O'Connor, Vassar Clements (fiddle); Jack Hale Jr., Bob Lewin Paco (harmonica); (horns, keyboards); Charles Cochran (piano, keyboards); Earl Ball, Pig Robbins (piano); Roy Huskey, Jr. (acoustic bass); Jimmy Tittle, Joe Allen, Michael Rhodes (electric bass); W.S. Holland (drums); Kenny Malone (percussion). <p>Recorded at the Cowboy Arms and Recording Spa and Stargem Recording Studios, Nashville, and Bradley's Barn, Mt. Juliet, Tennessee. <p>All tracks have been digitally remastered. <p>Johnny Cash's 1987 debut for Mercury--after his ignominious departure from Columbia a year previously--reunited him with fellow old-timer Jack Clement, who gives him a polished, yet funky (for Nashville) production. On a set that cements his legend with sturdy country songs like "The Night Hank Williams Came to Town" and the old-school gospel of "My Ship Will Sail," Cash positions himself alongside more contemporary artists like Elvis Costello, whose "The Big Light" opens the album. While JOHNNY CASH IS COMING TO TOWN is sonically a world away from his Columbia debut nearly 30 years earlier, the artist's lyrical preoccupations--life, love, and religion--remain much the same. Two years later, BOOM CHICKA BOOM found him reunited with his signature sound (though Luther Perkins had died in 1968, his primitive picking is faithfully recreated here) in a stripped-down production that includes the complex, Costello-penned "Hidden Shame" as well as Cash's simple, charming "I Love You, Love You," which sounds like it could have been written during his days at Sun.

If you're curious as to what Johnny Cash did between Columbia Records dropping him in 1986, and hooking up with Rick Rubin in 1994, then this two-fer of albums released in 1987 and 1989 will satisfy you. Although, Coming To Town got the most attention, I've always been partial to the latter, with its Sun Rockabilly sound. These aren't essential releases for Cash newbies. But for die-hards they're a good addition to your Cash library.

Among Cashophiles there's no little debate over the quality of his recordings for Mercury/Polygram, the label he turned to after his long stint with Columbia Records. Some detect a falling-off during this period, and perhaps there was: Once hit the peaks of Cash at Folsom and At San Quentin, and then where do you go? Still, Cash kept recording, expanding in difrerent directions, revisiting old songs with new takes. And subpar Cash--if this be--is superior to most of whatever else is available, even thirty years later. This is a reasonably priced, two-album compilation disc. I enjoy listening to it, and repeatedly so.