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Merle Haggard Album: “Hag/Someday We'll Look Back”
| Album Information : |
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| Title: |
Hag/Someday We'll Look Back |
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Release Date:2006-02-21
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Type:Unknown
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Genre:Country, Classic Country
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Label:LCT
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Explicit Lyrics:No
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UPC:094634478922
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| Track Listing : |
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| 1 |
Soldier's Last Letter |
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| 2 |
Shelly's Winter Love Video |
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| 3 |
Jesus, Take A Hold |
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| 4 |
I Can't Be Myself Video |
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| 5 |
I'm A Good Loser |
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| 6 |
Sidewalks Of Chicago |
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| 7 |
No Reason To Quit Video |
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| 8 |
If You've Got Time (To Say Goodbye) |
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| 9 |
Farmer's Daughter |
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| 10 |
I've Done It All |
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| 11 |
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| 12 |
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| 13 |
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| 14 |
Someday We'll Look Back Video |
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| 15 |
Train Of Life |
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| 16 |
One Sweet Hello |
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| 17 |
One Row At A Time |
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| 18 |
Big Time Annie's Square |
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| 19 |
I'd Rather Be Gone Video |
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| 20 |
California Cottonfields |
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| 21 |
Carolyn Video |
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| 22 |
Tulare Dust |
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| 23 |
Huntsville |
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| 24 |
The Only Trouble With Me |
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| 25 |
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| 26 |
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Review - :
In early 2006, roughly in time for the 40th anniversary of {$Merle Haggard}'s debut album, {@Capitol Nashville} launched an ambitious {$Haggard} catalog project, reissuing ten albums as a series of five two-fers, each adorned with bonus tracks. All these albums had been reissued before, either stateside by {@Capitol} or {@Koch} or in the U.K. by {@EMI} or {@BGO}, but they've never have been given such an excellent treatment as they are here. The albums are paired together in logical, chronological order, the 24-bit digital remastering gives these recordings the best sound they've ever had, the front cover artwork is reproduced for each album on a two-fer, and the liner notes are candid and detailed. Dedicated {$Hag} fans certainly have nearly all this material in their collection -- not only have the albums been on CD, but the bonus tracks have by and large appeared on {@Bear Family}'s box {^Untamed Hawk}, which chronicled his early work for {@Capitol}, or showed up on {@Capitol}'s own box, {^Down Every Road} -- but they still may be tempted by this series, since these discs not only sound and look terrific, but they're also more listenable than any previous CD incarnation of these classic albums.And make no mistake, all ten albums featured in {@Capitol Nashville}'s first wave of {$Haggard} reissues in February 2006 are classic albums; some may be a little stronger than others, but there's not a weak one in the bunch, and they all stand as some of the finest music of their time. The fifth two-fer of the initial wave paired {$Merle}'s two 1971 albums, {^Hag} and {^Someday We'll Look Back}, two terrific, reflective records. Arriving after the superb {$Bob Wills} salute {^Tribute to the Best Damn Fiddle Player in the World}, {^Hag} was {$Haggard}'s first collection of largely original songs in two years, since 1969's {^Portrait}. Since that album, {$Haggard} experienced great success with {&"Okie from Muskogee,"} which launched two quick live albums (one bearing the name of the song, the other being {^The Fightin' Side of Me}), plus an instrumental album by {$the Strangers}, before the labor of love of the {$Wills} album. Perhaps {$Haggard} had a great stock of songs saved up during those two years, because {^Hag} is one of his absolute best albums -- which means a lot, because he recorded no shortage of great records. In contrast to the rowdy live albums and the raucous {\Western swing} that preceded it, {^Hag} is quite quiet and reflective, sometimes referencing the turmoil within America at the end of the '60s, but more often finding {$Haggard} turning inward. This album turned out no less than four hits, with three of them addressing larger issues: the revival of {$Ernest Tubb}'s WWII hit {&"Soldier's Last Letter"} is now cast in the shadow of Vietnam, {$Haggard}'s original {&"Jesus, Take a Hold"} ponders the state of the world, while {$Dave Kirby}'s {&"Sidewalks of Chicago"} is about homelessness. The other hit was {&"I Can't Be Myself,"} a haunting admission that the singer "can't be myself when I'm with you," and it's only one of many great originals on {^Hag}. The tempo picks up twice, each time at the end of the side, when he kicks out the self-deprecating {&"I'm a Good Loser"} and the nostalgic rave-up {&"I've Done It All,"} but the heart of this is in the gentler material, such as the melancholic elegy of {&"Shelly's Winter Love,"} the sighing heartbreak {\ballad} {&"If You've Got Time,"} and {&"The Farmer's Daughter,"} an affecting tale of a father giving away his daughter in marriage. Each is an expertly observed, richly textured gem, and taken together they add up to one of {$Haggard}'s best albums, and one of his most moving. {^Someday We'll Look Back} follows through on the spirit of {^Hag}. Like that record, much of {^Someday We'll Look Back} is devoted to {\ballads}, including both lush, string-laden {\country-pop} crossovers and simple, folky tunes, but there are also hints of twangy {\Bakersfield} {\honky tonk} and {\blues}, as well as {\Western swing}. But what really makes the record so distinctive is the quality of the material. {$Haggard}'s original songs -- including {&"Someday We'll Look Back,"} the richly evocative {&"Tulare Dust,"} {&"I'd Rather Be Gone,"} {&"One Sweet Hello"} -- are uniformly excellent, while he invests considerable emotion into covers of {$Tommy Collins}' {&"Carolyn,"} {$Dallas Frazier} and {$Elizabeth Montgomery}'s {&"California Cottonfields,"} and {$Roger Miller}'s {&"Train of Life."} The result is one of the finest albums he ever recorded, and when it's paired with {^Hag} on this two-fer, it makes for absolutely essential listening. ~ Stephen Thomas Erlewine, All Music Guide
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