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Disco de Rosanne Cash: “Seven Year Ache [Bonus Tracks]”
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Seven Year Ache [Bonus Tracks] |
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Fecha de Publicación:2005-11-01
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Tipo:Desconocido
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Género:Country
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Sello Discográfico:Sony
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Letras Explícitas:No
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UPC:696998699724
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Análisis (en inglés) - :
Blame whomever you want for {$Garth Brooks} and {$Shania Twain}, but the bottom line is that {$Rosanne Cash}'s masterpiece {^Seven Year Ache} paved the way for both of those folks as well as for {$Mary Chapin Carpenter}, {$Shawn Colvin}, and then some. Proclaimed by {$Cash} and her husband/producer/collaborator, {$Rodney Crowell}, as "punktry," the album adds an entirely new twist on {\the Nashville sound}. Perhaps it is because this is L.A. {\country} and reflects the cocaine bliss sound of the era as well as {$Fleetwood Mac}'s {^Tusk} does. Utilizing everything from synthesizers and {\rock} arrangements to {\pop} ballad-styled charts and plenty of attitude, {^Seven Year Ache} yielded three number one singles and songs by {\rock} musicians such as {$Tom Petty} and {\singer/songwriters} like {$Keith Sykes} and {$Steve Forbert}. Of the singles, {$Cash} penned two: the title track, which is a sorrowful indictment of her husband's philandering ways, and the shattering {\ballad} {&"Blue Moon with Heartache."} The third, the smash {&"My Baby Thinks He's a Train,"} was written by {$Asleep at the Wheel}'s {$Leroy Preston}. Musically, the band included many of the same players from the {^Right or Wrong} sessions, with the emerging vocal talent of former {$Pure Prairie League} member {$Vince Gill}. {$Forbert}'s {&"What Kinda Girl"} is almost {\rockabilly} in its shuffling intensity and {\punk} bravado. It dares the listener to define the protagonist just to shatter the preconception. There's also a nod to tradition here in {$Cash}'s beautifully updated read of the {$Merle Haggard}/{$Red Simpson} nugget {&"You Don't Have Very Far to Go,"} complete with whinnying pedal steels and a {\honky tonk} backbeat. In {&"My Baby Thinks He's a Train,"} {$Cash} and {$Crowell} very consciously offer a new-generation interpretation of dad {$Johnny}'s sound. This rocks harder yet is smooth as silk and full of that desolate want {$Johnny} offered in his delivery. But unlike her father's, this isn't a forlorn yearning want, it's a pissed-off anthemic want. For the ambulance chasers, this record with its songs of infidelity and broken promises may indeed be the first crack in a marriage and collaboration that ended a decade later. The tempo borrows the old {$Tennessee Three} rhythm, but sped up into the stratosphere, with a shifting {\Western swing} line near the refrain. Over 20 years after it was first issued, {^Seven Year Ache} sounds as fresh and revolutionary as it did when it was issued. Any album that stands that test of time in a field like {\country} deserves to be regarded as a classic. Yes, this is the one that changed everything. [The 2005 remastered edition includes two bonus tracks: the unreleased {&"The Feeling"} and a live version of the title cut. It also contains liner notes by {$Chet Flippo} that don't do the record's achievement justice.] ~ Thom Jurek, All Music Guide
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![Disco de Rosanne Cash: “Seven Year Ache [Bonus Tracks]”](http://www.bestcountrysingers.com/covers_yaR/rosanne-cash/2005_170_170_Seven%2520Year%2520Ache%2520%255BBonus%2520Tracks%255D.jpg "Disco de Rosanne Cash: “Seven Year Ache [Bonus Tracks]”")