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Disco de Willie Nelson: “Run That By Me One More Time”
| Información del disco : |
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| Título: |
Run That By Me One More Time |
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Fecha de Publicación:2003-07-01
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Tipo:Desconocido
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Género:Country
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Sello Discográfico:Lost Highway
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Letras Explícitas:Si
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UPC:602498603130
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| Lista de temas : |
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| 1 |
Deep Water |
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| 2 |
This Cold War With You |
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| 3 |
I'm So Ashamed |
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| 4 |
I've Just Destroyed The World (I'm Living In) |
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| 5 |
It Wouldn't Be the Same Without You |
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| 6 |
Home In San Antone Video |
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| 7 |
Something To Think About |
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| 8 |
Run That By Me One More Time |
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| 9 |
Soft Rain |
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| 10 |
I'll Keep on Loving You |
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| 11 |
I'm Still Not Over You Video |
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Análisis (en inglés) - AMG :
Willie Nelson and Ray Price reconvene for a second outing of Texas honky tonk and Western swing tunes, 23 years after their first duet recording, the venerable San Antonio Rose. Recorded and engineered by Joe Gracey at the World Headquarters studios in Luck, TX, Run That By Me One More Time was produced by Nelson and Price. It features 11 really glorious selections that run the gamut from the classic Fred Rose numbers "Deep Water," which opens the album, and "Home in San Antone" to a sentimental reading of Floyd Tillman's "This Cold War With You" and co-writes like the amazing "I've Just Destroyed the World I'm Living In," by the dynamic duo itself. While Price wrote the beautiful and moving "Soft Rain" that appears here, a pair of Nelson cuts -- "I'm So Ashamed" and "I'm Still Not Over You" -- are the finest things on the record. Both of them have appeared on Nelson outings available only on the Internet, but with Price's voice added to the mix, they have a deeper resonance. With the exception of Rose's "Home in San Antone," which appears in the dead center of the recording, the album is comprised of nothing but broken love songs offering a counterweight to the good-time feel of the disc. Speaking of feel, the sound of this album is quite remarkable. It's been a while since Willie's guitar playing has been given this kind of showcasing or has sounded so rich and full, and the Texas fiddle band setup is recorded as such without a boatload of embellishment. Price's voice, considerably more ragged but even more right, lends texture, warmth, and a kind of west Texas edge to the sound of the band here, as does David Zettner's pedal steel. Of all the Willie Nelson recordings out there from 2000 to the present, this is easily the best of them. It's consistent and full of warmth, good-natured looseness, and absolutely killer songs. ~ Thom Jurek, All Music GuideAnálisis (en inglés) - Yahoo! Music - Bill Holdship :
This could be the sweetest album of the summer. "Sweet" may not be the first description that comes to mind when one thinks of these two old-time Austin legends. But anyone in love with real country music will simply adore the 30 minutes of classic country bliss the pair deliver up here. Their relationship goes back decades; Willie Nelson played bass for Ray Price back in 1961; Price scored an early hit with a cover of Nelson's "Night Life"; they've already recorded two albums together, one a Bob Wills tribute, both titled San Antonio Rose. This 2003 release features no Wills covers, although that country king's sound is evident throughout, finding the legendary pair in excellent voice, despite their senior citizen status (Nelson recently turned 70; Price--most familiar to a certain generation for his hit recording of "For The Good Times" and to another for "Crazy Arms," which later became Jerry Lee Lewis's first Sun single--is a youthful 77). The backing band relies heavily on fiddles, steel guitars, and such, simply pouring on the authenticity. They could easily pass for Ernest Tubb's band or even Hank Williams's Drifting Cowboys ("I'll Keep On Loving You" even closely resembles Hank's "Tear In My Beer"), as they deliver country standards and old Nelson originals (several already associated with Price), effortlessly alternating between classic Texas Swing and beautiful ballads. Of the latter, "It Wouldn't Be The Same Without You" and "Soft Rain" are as stunningly beautiful as anything you're apt to hear this year in any genre. In a word: sweet.Análisis (en inglés) - :
{$Willie Nelson} and {$Ray Price} reconvene for a second outing of Texas {\honky tonk} and {\Western swing} tunes, 23 years after their first duet recording, the venerable {^San Antonio Rose}. Recorded and engineered by {$Joe Gracey} at the {@World Headquarters} studios in Luck, TX, {^Run That By Me One More Time} was produced by {$Nelson} and {$Price}. It features 11 really glorious selections that run the gamut from the classic {$Fred Rose} numbers {&"Deep Water,"} which opens the album, and {&"Home in San Antone"} to a sentimental reading of {$Floyd Tillman}'s {&"This Cold War With You"} and co-writes like the amazing {&"I've Just Destroyed the World I'm Living In,"} by the dynamic duo itself. While {$Price} wrote the beautiful and moving {&"Soft Rain"} that appears here, a pair of {$Nelson} cuts -- {&"I'm So Ashamed"} and {&"I'm Still Not Over You"} -- are the finest things on the record. Both of them have appeared on {$Nelson} outings available only on the Internet, but with {$Price}'s voice added to the mix, they have a deeper resonance. With the exception of {$Rose}'s {&"Home in San Antone,"} which appears in the dead center of the recording, the album is comprised of nothing but broken love songs offering a counterweight to the good-time feel of the disc. Speaking of feel, the sound of this album is quite remarkable. It's been a while since {$Willie}'s guitar playing has been given this kind of showcasing or has sounded so rich and full, and the Texas fiddle band setup is recorded as such without a boatload of embellishment. {$Price}'s voice, considerably more ragged but even more right, lends texture, warmth, and a kind of west Texas edge to the sound of the band here, as does {$David Zettner}'s pedal steel. Of all the {$Willie Nelson} recordings out there from 2000 to the present, this is easily the best of them. It's consistent and full of warmth, good-natured looseness, and absolutely killer songs. ~ Thom Jurek, All Music Guide
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